Now that I’m a doctor, I can be called to be part of a jury for helping to evaluate PhD students. Today was my first experience doing that, and it was double special because the other jury member was Axel Roebel — with whom I started my research career.
Thanks to Javier Nistal, Gaël Richard and Steffan Lattner for inviting me!
To facilitate my online teaching activities, I collected on this website the educational material I have been preparing throughout the years.
I thought it could be useful to share it! It is ready to use and includes a quiz and a lab. For now, I cover music/audio classification and the basics of deep learning for music/audio.
Although I’m now a researcher at Dolby Laboratories, I’m still collaborating with some universities in Barcelona — where I’ll keep teaching deep learning for music and audio. In this context, and given the importance of the gradient vanishing/explode problem in deep neural networks, this week I’ll be teaching recurrent neural networks to the Master in Sound and Music Computing students of the Universitat Pompeu Fabra.
As part of my onboarding at Dolby, I had the pleasure to be working in San Francisco. In order to share my recent experiences with my colleagues, I have been updating these slides and I presented some of my recent work at Dolby and Adobe headquarters.
I hope this update makes this tutorial-like presentation more understandable to everyone!
We present a didactic toolkit to rapidly prototype audio classifiers with pre-trained Tensorlow models and Scikit-learn. We use pre-trained Tensorflow models as audio feature extractors, and S
This material was prepared for teaching Tensorflow, Scikit-learn, and deep learning in general. Besides, due to the simplicity of Scikit-learn, this toolkit can be employed to easily build proof-of-concept models with your own data.
